The Japanese art medium of anime has been around since the early 20th century. By the beginning of the 21st century, it had spread widely all over the globe. The genre is defined by colorful, intense graphics, bold characters with huge eyes, and rather weird story lines. A perfect example is discussed in this Code Geass anime review.
This series has features in common with "The Wonder Years, " "The Hunger Games, " and "1984." You could probably throw in a little "Terminator" as well, since the presence of the Knightmares, a super-powered android system developed as a military weapon, is germane to the story. Each episode should include a warning that watching it could lead to addiction.
The animated TV series sold more than a million DVDs and blue-ray discs. It ran for two series', both of which were run on the Cartoon Channel and both of which won awards at the Tokyo International Anime Fair. The series also formed the springboard for manga and light novels published in America.
The reference to dystopia is based on the setting in an alternate timeline in what used to be Japan, but, having been conquered by the Holy Brittanian Empire, lost its name and is now called Area 11. The people who live there are referred to as "Elevens."
Code Geiss is related to the Hunger Games because it, too, is a dystopian novel. In the case of post-apocalyptic Panem, the undesirable society resides in District 12.
The similarity to Orwell's 1984 may be found in the existence of three superstates. In the British tale, these are Oceana, formerly Great Britain; Eastasia, combining east Asia and southeast Asia; Eurasia, the combination of USSR plus its now-annexed territory that was once mainland Europe. This is too close to have happened by chance and could reflect an influence of George Orwell on the creative team at Sunrise. It could also have been the Code Geass author, Ichiro Okouchi, who sought to flatter Orwell by imitating this aspect of his work.
The link between The Wonder Years and this series is admittedly tenuous. The only thing they have in common is an adolescent male protagonist. In the Wonder Years, this is Kevin Arnold during the formative years of 12 to 17. Here, the main character is named Lelouch Lamperouge, an exiled prince from Britannia. Desperate to change the world, he willingly receives the gift of Gaessian power, which enables him to dictate the actions of anybody he likes simply by making intense eye contact. By the time he first exercises his new power, it becomes clear why the initial episode was called, "The Day A New Demon Was Born."
The series is gripping and the first episode will leave you wanting for more. It's peppy theme tune could be a commercial jingle for a type of girly cuddly toy, teenage makeup or a new kind of bubble gum, yet the lyrics paradoxically talk about mournful anguish. The song has a positive outcome. If you want to know if the ending of CG is happy, you are going to have to watch the episodes and discover that for yourself. Think of Episode 1 as a gateway to a new addiction and be prepared to binge watch over and over again.
This series has features in common with "The Wonder Years, " "The Hunger Games, " and "1984." You could probably throw in a little "Terminator" as well, since the presence of the Knightmares, a super-powered android system developed as a military weapon, is germane to the story. Each episode should include a warning that watching it could lead to addiction.
The animated TV series sold more than a million DVDs and blue-ray discs. It ran for two series', both of which were run on the Cartoon Channel and both of which won awards at the Tokyo International Anime Fair. The series also formed the springboard for manga and light novels published in America.
The reference to dystopia is based on the setting in an alternate timeline in what used to be Japan, but, having been conquered by the Holy Brittanian Empire, lost its name and is now called Area 11. The people who live there are referred to as "Elevens."
Code Geiss is related to the Hunger Games because it, too, is a dystopian novel. In the case of post-apocalyptic Panem, the undesirable society resides in District 12.
The similarity to Orwell's 1984 may be found in the existence of three superstates. In the British tale, these are Oceana, formerly Great Britain; Eastasia, combining east Asia and southeast Asia; Eurasia, the combination of USSR plus its now-annexed territory that was once mainland Europe. This is too close to have happened by chance and could reflect an influence of George Orwell on the creative team at Sunrise. It could also have been the Code Geass author, Ichiro Okouchi, who sought to flatter Orwell by imitating this aspect of his work.
The link between The Wonder Years and this series is admittedly tenuous. The only thing they have in common is an adolescent male protagonist. In the Wonder Years, this is Kevin Arnold during the formative years of 12 to 17. Here, the main character is named Lelouch Lamperouge, an exiled prince from Britannia. Desperate to change the world, he willingly receives the gift of Gaessian power, which enables him to dictate the actions of anybody he likes simply by making intense eye contact. By the time he first exercises his new power, it becomes clear why the initial episode was called, "The Day A New Demon Was Born."
The series is gripping and the first episode will leave you wanting for more. It's peppy theme tune could be a commercial jingle for a type of girly cuddly toy, teenage makeup or a new kind of bubble gum, yet the lyrics paradoxically talk about mournful anguish. The song has a positive outcome. If you want to know if the ending of CG is happy, you are going to have to watch the episodes and discover that for yourself. Think of Episode 1 as a gateway to a new addiction and be prepared to binge watch over and over again.
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